Rahsaan Patterson (born January 11, 1974) is an African-American singer and actor, best known for portraying "The Kid" on the popular 1980s television show Kids Incorporated. He is a native of The Bronx, New York. He was named after 60's jazz saxophonist Rahsaan Roland Kirk. His singing and songwriting style are reminiscent of Stevie Wonder, while his voice has also drawn comparisons to Chaka Khan.

Career

Kids Incorporated

After appearing in a school talent show in 1984, Patterson auditioned for the television show Kids Incorporated. He was cast as "The Kid", and remained on the show for the next few years, appearing alongside such future stars as Fergie, Mario Lopez and Shanice.

Music career

After Kids Incorporated, Patterson gained experience as a backup vocalist for several artists (including Kids co-star Martika). Following his vocal contributions on Colour Club's self-titled album, as well as writing for other artists (his credits include Brandy's platinum Top 5 smash "Baby", and Tevin Campbell's hit "Back to the World"), Patterson signed with MCA Records. Collaborating with Keith Crouch and Jamey Jaz, among others, released his own self-titled debut in 1997.

Receiving positive reviews from critics, the album failed to find a large audience (the single "Where You Are" did receive attention on R&B radio). Patterson did, however, develop a loyal following both in the United States and abroad.

Patterson went to work on his followup, Love in Stereo, with Jaz and new collaborators such as Van Hunt. When Love in Stereo was released in late 1999 it received better reviews than its predecessor, although the mainstream overlooked it.

Although Patterson and MCA parted ways, he remained busy, continuing to perform live, working as a session singer, and contributing to both soundtracks (Brown Sugar) and compilation albums (Steve Harvey's Sign of Things to Come), while working on his next album.

After Hours, Patterson's third album, was released internationally early in 2004, again garnering positive reviews. With the forming of his own label, After Hours saw release in the United States in late October 2004. Further collaborative efforts followed. Patterson's most recent album, Wines and Spirits (again featuring collaborations with Crouch and Jaz) was released in September of 2007, and debuted at #42 on Billboard's Top R&B/Hip-Hop Albums chart, his best showing on that chart to date.

Coming Out

On October 7, 2007, just several days after the release of his latest album Wine & Spirits, in an exclusive interview with BETJ.com’s John Murph, Rahsaan followed fellow R&B singer Donnie’s lead and broke his silence about not only his sexuality but his thoughts on homophobia.  Congrats Rahsaan!

Excerpt from the interview

BET J: Are you dealing with your sexuality?

Patterson: Exactly. When your body is fringed upon and you had no say so in the matter, the years that follow have nothing to do with who you initially could have been or would be.

Personally, I believe when that happens to you – a spirit attaches itself to you then you reside in a world where you have this stigma on you. When you’re a child, you don’t know what the hell is going on. Then you grow up with all these issues and with all these people who put these issues on you; and block you mentally from obtaining who you really could be. It’s an issue as Black people that we really don’t like to deal with; it’s an issue that a lot of gay people don’t want to break down.

Some people believe that they were born that way. But I’m not the person who feels like they have to justify myself or my beliefs to have people applaud me or buy my records. I’m very well aware of people’s opinions about me. Some people are right; some people are wrong. But that does not define who I am. That is not all of who I am.  It’s really redundant and tired at this point.

BET J: Do you think that the R&B is as homophobic as the press makes it out to be? Or is it the press and record companies that are actually the more homophobic?

Patterson: When you come out as openly gay in the music world, you become, “Oh that’s they gay artist.” What is that about? It’s a cheap shot. Personally, I feel that it’s degrading and disrespectful, because it lessens the power of who an individual is. It’s unfortunate that we need labels – you got to be Jewish or you got to be whatever the label is.

BET J: So you don’t think identifying oneself as openly gay gives a sense of empowerment?

Patterson:  It does. I remember talking to Meshell Ndegeocello and she told me that her record label took it upon itself to market her as the “bi-sexual R&B artist.” It wasn’t about her denying it or hiding it; her sexuality was what it was. Someone’s sexuality doesn’t have to be a selling point.

I realize that people need a leader who stands for something they believe in. I get that.  I just don’t choose to be that leader.   If I’m going to lead anything, I’m going to lead in way that’s going to bring us to a higher place of existence and really acknowledge how powerful we really are, and how limiting those labels can be.  I’m just tired of people having issues with my sexuality.

My struggle has been to come to a point of clarification in which I can sit and articulate it and fully be conscious of how I feel about it as opposed to someone trying to catch me off guard and asking me.

BET J: Do you feel that a lot of people want you to be the gay poster child for R&B.

Patterson: Some do. And to be honest, I’m the poster child already for a whole lot of people and for a whole lot of sh*t. I want to be the poster child for freedom and for someone who is cool with themselves and who doesn’t need someone else to agree or applaud. I think it shows in my music.

Particularly in the Black community, hang-ups on sexuality is retarded to me, like when you have one-on-one conversations with some people and everything is cool, but when you add four more people in the mix, sh*t changes. People start retreating, fronting, and changing their swagger, lowering their voices. I ain’t got time for that.